Based on the award winning critically acclaimed short film, "Love is All You Need?" is the theatrical feature length version that explores bullying, racism, and prejudice in a way never done before on the big screen. As you read this, a pre-teen or teen, in the United States has committed suicide. Teen suicide in the LGBT community has gained immense popularity on a larger social scale then ever before. While the interest in this social dilemma is thrust into the spotlight none have ever before addressed this social issue in such a manner as Kim Rocco Shields newest film. Love Is All You Need? thrusts its audience into another thought of existence that does more than just acknowledge there is a serious social problem affecting the gay community and does more than just talk about the issue. In Love Is All You Need? its audience lives the issue. Different people and their individual, unique lives intertwine and collide in a world confronted with controversy and forbidden love. This world is very much like our own: filled with family gatherings at church, kids playing in the yard and college frat parties. Except these families are led by same-sex couples, and homosexuality is the expectation. To be heterosexual is to be shunned and ridiculed because it means you are different. In this world, to be GAY is right and to be STRAIGHT is wrong. That's the world of Jude Klein, the star quarterback of the Sparta University football team. While celebrating her most recent win at the Phi Beta Lambda fraternity house party, Jude meets sports journalist Ryan Morris. The two quickly form a romantic bond that must be hidden from the rest of the world. The cold and cruel local priest Rachel Duncan discovers this secret affair, inspiring her to fervently organize a hateful campaign against the local "hetero". Meanwhile, 11-year-old Emily is often teased at her elementary school and is kicked off her school's football team. She finds comfort in her new friendship with Ian Santilli, one of her male classmates. Ashley begins to form a crush on her new playmate, despite how strongly her mother Karen is against being straight. These separate stories connect to each other in unexpected ways as each of them struggle with their own problems in this "gay" world. When you live in a world that hates the way you love, is really love all you need?

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我将用这篇文章来说明「人类的本质是真香」这一朴素的道理。如果有人在年以前告诉我，我会对景甜的剧有所期待甚至上头的话，我一定会请他去看看脑子。毕竟，曾经「叱咤」电影圈的大甜甜给我造成的心理阴影实在太深，以至于无数人夸她在《大唐荣耀》里有所突破和改变的时候，我都没有纡尊降贵地看过哪怕半集。你看，我是个多么有原则的人。但是，去年看到《司藤》的路透照的时候，我的原则离我而去了。去掉了欧式大双眼皮子埋线，画上柳叶眉，把狗啃的短发又留长的景甜，穿上旗袍，竟然真的有点半妖

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故事发生在一个肃杀的寒冬。天是寒的，地是冻的，连带着人心也暖不起来。观影过程中，很多诗句随着声画、情节、人物一起浮现在脑海里，仔细想想，这个影片真的像是从数首诗里走出来一样，带着穷途末路、凄苦冷峻，也带着绝处逢生、柳暗花明。在飘摇乱世里，描绘了一场酣畅淋漓的侠义之梦。单衣少食卖炭翁对于“卖炭翁”的第一印象来自白居易的诗，诗里写“可怜身上衣正单，心忧炭贱愿天寒”，一个矛盾想法就把穷苦卖炭翁形象刻画得淋漓尽致。电影的片头就像是把整首诗具象化了一般，在一筐煤炭的诞生里将主

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这部电影所呈现的童话世界让人惊叹，从美丽的景色到充满奇幻的生物，都让人流连忘返。同时，电影中所传递的价值观也更加值得我们深思，它们不仅是对于孩子们的启示，更是对于成年人的教育。

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亮点很明确：尺度。“打戏拳拳到肉”这句话已经被用烂了，但本片第一场打戏就让观众明显感受到肉疼（警察不开枪非得肉搏算是个bug）。后面香港仔章节比较老套，但还是把一个暴虐的坏人演绎到位了（主角还是不用枪非得肉搏，真的很出戏啊）。警察第二次登场，结果再次拉胯。牛头的段落有些拖沓，观众基本都猜到了尊者就是牛头，这就是个骗财洗脑的邪教组织，感觉有些无聊，那个妈妈的自杀不太理解，男主从棺材满血复活感觉很不真实。但接下来礼堂屠杀戏直接封神，节奏调度一流，剧情设计完全超出观众预期（警察彻