In 2007, Matthew Barney and Jonathan Bepler began a new collaborative project inspired by American author Norman Mailer's 1983 novel Ancient Evenings, set in pharaonic Egypt. The project was conceived as a nontraditional opera with a series of one-time-only live acts performed across the American landscape. The film River of Fundament combines documentation of these three live acts with scenes set in a reconstruction of Norman Mailer's brownstone apartment in Brooklyn Heights. Barney and Bepler's script reimagines Mailer as his own protagonist who reincarnates three times in three different bodies by magically entering the womb of his wife Hathfertiti. With each incarnation the undead Norman emerges from a river of feces that runs beneath his Brooklyn Heights apartment and enters his own wake. Imagined as a memorial gathering attended by figures in the New York literary world, the wake takes place inside the Mailer apartment as it is ferried down the river. Guests eulogize Mailer and ...
重生之河电影镜头分析
在剧中,夏末和初秋之间的友谊和爱情是相互支持、相互鼓励的。这种坚定的爱情,让人感受到了真正的友谊和爱情的力量。
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一部年的新剧,从名字就能看出来是一部推理剧,我给了五星。给五星不是因为这部剧的推理做得有多么好,这部剧的推理老实讲不是很强,很多镜头一看就知道是伏笔,也能大致猜得出故事走向。举个例子就是那个想当透明人的公务员一说谎就摸鼻子,摸鼻子的时候还给了特写,这样很难不让人注意到,观众已经知道他在说谎了,下面发生什么就很好猜了。还有看图画对暗语这种情节,让人感觉有点幼稚。推理不强的基础上,这部剧还有点魔幻,像徕卡和千夜子这样一个身体两个灵魂的设计,让我联想到了也是年的一部
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讓軟爛軟而不爛的是一次又一次的背叛,是結構性的不公讓軟不得不編織出堅韌。「好疼啊,可是為什麼都沒有傷?」這是整齣戲我最喜歡,也再度擊潰我的一句話。是啊,男權社會刺向女性的是內傷,原生家庭刺向女性的是內傷,親密關係刺向女性是內傷,女性因結構性不公因而產生對自我的刑罰是內傷⋯⋯這些內傷如此深重,卻不露一絲痕跡。男人們總在告訴妳,妳該怎麼做,從追逐夢想到趕緊放棄夢想,或是差不多就得了。以為面面俱到的體貼,其實不過是自己「高瞻遠矚」又無愛無能的完整投射。很喜歡Ending
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陈智琪与死神:这部影片讲述了一个华人金牌女律师面对生死挑战的故事。在女儿被绑架后,她接到神秘电话要求为其辩护,尽管遭到死者家属的质疑,她依然坚定地为正义而战,最终成功为死者争取到了无罪。