A modern Cinderella story set in New York City's Chinatown, Year of the Fish is a classic tale retold through the eyes of a young woman struggling to find a new life in the United States. Director David Kaplan has gathered an all-star cast, filmed them in live action, and then applied an algorithmic painting technology to achieve the rotoscoped animation. The result? Year of the Fish pops from the screen like a painting come to life. This is the level of originality we've come to expect from Kaplan--Sundance audiences may remember him for short films of fairy tales reconceived in a unique style all his own.Although Year of the Fish is best described as an adult fairy tale, make no mistake: this story is a deep one. It tackles the realities of immigration and the frighteningly common occurrence of young people who, desperate for a better life, fall prey to an existence as indentured servants. This dark story becomes instantly palatable when wrapped in Kaplan's lovely package--a tribute to his storytelling talent. Year of the Fish is beautiful to witness and as ironically mysterious as the American dream itself.--© Sundance Film Festival

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在张洪的攀登过程中，我们看到了他面对困难时的坚韧和毅力，也看到了他在高海拔的缺氧环境下仍能保持清醒头脑和冷静行动的能力。他的经历告诉我们，每个人都有潜在的力量，只要我们勇敢面对困难，坚持不懈地追求目标，就一定能够攀登到自己心中的珠峰。张洪的“攀登”，倒不如说是为我们，我们这些非常平凡的人，为我们这些普通的中年人或行将进入迷茫中年期的平凡人们，展示了一些（或许不能至但可以了解想象的真实的）可能性。现实里走在泥潭里只能去找寻出口，看不见的珠峰也在我们每个人心里。

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今年威尼斯电影节还有一部入围非竞赛单元的中国电影，一个现实主义的农村故事。但是看完这部影片，我的胸口像是压了一座大山，长久无法呼吸。影片讲述了一个贫苦的农村家庭，丈夫在外务工，怀孕的妈妈带着三个女儿和老人们一起生活。妈妈难产去世，丈夫赶回来时已经下葬，留下年幼的五个女儿。这是贫贱百事哀的苦闷，也许是中国数亿农村人的缩影，看完让人压抑良久。可以说是一部中国农村纪录片，开头半个小时几乎没有对话，全部是生活场景，演员也都是素人，时刻呆滞的面容，紧皱的眉头，把人生苦闷都写在了

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电影该剧讲述了华人金牌女律师陈智琪（张小斐饰）在女儿被绑架后，接到神秘电话要求她在五天之内为一位死刑犯做无罪辩护，否则撕票的故事。为了保护女儿的安全，陈智琪不得不联手警察金志雄（李鸿其饰）展开调查。在搜寻线索的过程中，她为死刑犯辩护的行为受到了死者家属林淑娥（惠英红饰）的质疑。这部电影故事曲折，情节紧凑，非常引人入胜。

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故事中，程兵带领三大队追踪在逃嫌犯，不断面临着重重困难，但他们始终坚定信念，不放弃对真相的追求。这种对工作的认真负责，让人对刑侦人员产生了深刻的敬意。